Dont Bother to Knock Essay - 642 Words - StudyMode.
Don't Bother to Knock (1952) (movie): After being dumped by his girlfriend, an airline pilot pursues a babysitter in his hotel and gradually realizes she's dangerous. Discover the latest Discussions, Reviews, Quotes, Theories, Explanations and Analysis of Don't Bother to Knock (1952) below.
Don’t Bother to Knock is a must-see for Monroe, and for Widmark, but this crisp, tight, visually inventive picture, which clocks in at a trim 76 minutes, is filled with notable and familiar talent on both sides of the camera. As mentioned earlier, it marks the screen debut of Anne Bancroft and serves as a reminder of her astonishing beauty and aplomb, which she possessed from the start and.
This release also comes with a six page booklet which includes an essay by Julie Kirgo, which details the film's troubled behind-the-scenes past. Overall Don't Bother To Knock is a surprising film for a multitude of reasons. To begin, it offers the most intense performance from Marilyn Monroe that I've seen to date.
Executive-produced by Todd and co-written by Oscar winner Frederic Raphael, Don't Bother to Knock also features Golden Globe winner and Playboy sensation Elke Sommer, June Thorburn, John Le Mesurier and Nicole Maurey among a high-calibre international cast. The film is presented here in a brand-new transfer from the original elements, in its as-exhibited theatrical aspect ratio.
Don’t Bother to Knock not only cemented Marilyn Monroe as an actress worthy of serious attention, it also proved that, to make an effective, disturbing noir, you don’t need double-crossing tough guys killing each other in dark alleys. Yes, the darkness of noir certainly thrives in the male-dominated realm of the criminal underworld.
Marilyn Monroe posing by Don't Bother to Knock poster. Each print is framed to order in hand made wooden frames with gallery quality perspex to protect the print.
While baby-sitting in a hotel, a beautiful woman (Marilyn Monroe) begins a flirtation with one of the hotel's guests (Richard Widmark). Rebounding from a breakup with his girlfriend (Anne Bancroft), he's willingly seduced by the baby-sitter and ends up in bed with her. When the child wakes up and disturbs their lovemaking, the baby-sitter reveals homicidal tendencies and terrorizes them both.